littlehia01

 

Walt Disney’s Little Hiawatha didn’t start out as a series character. He was the eponymous star of a Silly Symphony released May 15, 1937; and while the Silly Symphonies did have the occasional break-out hit (the biggest being Donald Duck), most of their characters came and went and were never seen again.

This particular Silly Symphony concerned a young boy’s adventure in the woods. Hiawatha, no known relation to the hero of H.W. Longfellow’s famous poem (and even less to the Hiawatha who once hunted Bugs Bunny), ventured forth with his little bow and arrow, intent on emulating the mighty hunters of his village. It turned out he was too soft-hearted to kill a rabbit, but that was okay — later, when he was endangered by a ferocious bear, the rabbit rounded up an animal posse and saved him. Hiawatha returned home safely but empty-handed. The director was David Hand, who had earlier directed the Oscar-winning Silly Symphony Three Orphan Kittens. Hiawatha didn’t speak; hence, no voice credits.

Three years later, Hiawatha turned up again, this time in the Silly Symphonies newspaper comic, which was distributed by King Features Syndicate. From November 10, 1940 to July 12, 1942, writer Hubie Karp (The Fox & the Crow) and artist Bob Grant (who had assisted Hank Porter on the comics adaptation of Snow White) used it for gags about Little Hiawatha. These didn’t adapt the cartoon, but did a self-contained story each Sunday, usually without words, about the little boy’s doings in and around the village. It was in this sequence that Hiawatha’s girlfriend, inevitably called Little Minnehaha, was introduced. She’d originally been designed (by Walt Kelly of Pogo) for a Silly Symphony that was never produced.

Some of the Sunday comics were reprinted in Dell Comics’ Walt Disney’s Comics & Stories in 1943. The following year, that title printed a handful of stories in the 8-10 page range about Minnehaha, written and drawn by cartoonist Roger Armstrong (Mary Jane & Sniffles). These were written in the four-beat, rhymeless cadence of Longfellow’s poem, but didn’t scan as relentlessly.

35 strips various

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