Gun Law

Based on the TV series Gunsmoke

Creator and Artist: Harry Bishop

Gun Law became a daily strip in the Daily Express in 1957, which Bishop wrote and drew until it finished in 1978.

Some stories are missing some pages but most of them are complete.

Gun Law 001 – Miss Kitty
Gun Law 002 – The Reluctant Deputy
Gun Law 003 – They Rode with Quantrill

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Gun Law 004 – Jane Lawson Story
Gun Law 005 – Kid Machie
Gun Law 006 – The Bounty Hunter
Gun Law 007 – The Deuse Beatty Story
Gun Law 008 – Kidnap

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Gun Law 009 – Freighters War
Gun Law 010 – Bart & Saul Hurrell Story
Gun Law 011 – The Circus Story
Gun Law 012 – The Black Stallion
Gun Law 013 – The Cy Wheeler Story
Gun Law 014 – The King Of Cody Bluff

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Gun Law 015 – The Uprising
Gun Law 016 – Ed Carver
Gun Law 017 – The Josh Stopes Story
Gun Law 018 – The Feud
Gun Law 019 – Revenge

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Gun Law 020 – The Deadly Fall
Gun Law 021 – The Brothers Grimm
Gun Law 022 – The Hepner Family
Gun Law 023 – The Haunted Valley
Gun Law 024 – Jed Larsens Story
Gun Law 025 – The Horse Thief
Gun Law 026 – Robbers Roost
Gun Law 027 – Frontier Mutiny
Gun Law 028 – The Decoy

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Gun Law 029 – The Rock Blasters
Gun Law 030 – Tombstone Feud
Gun Law 031 – The Suitors
Gun Law 032 – Jingle Bob
Gun Law 033 – The Frame-Up
Gun Law 034 – The Ghost of Blackrock

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Gun Law 035 – Man on the Run
Gun Law 036 – The Hostage
Gun Law 037 – The Insurance Men
Gun Law 038 – The Long Chase
Gun Law 039 – The Nesters

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Gun Law 040 – The Man From Down Under
Gun Law 041 – The Great Train Robbery
Gun Law 042 – Trek Of The Cheyenne
Gun Law 043 – Spur of Vengeance
Gun Law 044 – Dellah n the Horse Thief
Gun Law 045 – The Longhaired Sonofagun

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Gun Law 046 – My Lady Fair
Gun Law 047 – The Timberwolf
Gun Law 048 – Tumbleweed Jones
Gun Law 049 – A Final Killing
Gun Law 050 – The Woman Dodge Never Forgot

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Gun Law 051 – Valley of Hate
Gun Law 052 – The Love of Big Nose Kate
Gun Law 053 – Colt Crazy
Gun Law 054 – Nick Bassey

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Gun Law 055 – Burt Ford Story
Gun Law 056 – Rebels Return
Gun Law 057 – Kicking Bird
Gun Law 058 – Trail to Rawhide
Gun Law 059 – Return to Rawhide

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Gun Law 060 – Wagon Tongue Justice
Gun Law 061 – Gunfight at Hays City
Gun Law 062 – Sophie Stewart
Gun Law 063 – The Bronsons

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Gun Law Gun Law 064 – Ace & Pair
Gun Law Gun Law 065 – Hallelujah Smith
Gun Law Gun Law 066 – The Cattle Baron

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Gun Law 001 – Miss Kitty (Revised Version)

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Flook

Flook was a British comic strip which ran from 1949 to 1984 in the Daily Mail newspaper. It was drawn by Wally Fawkes (of the jazz group Wally Fawkes and the Troglodytes), who signed the strips as “Trog”.

It was the first newspaper comic strip to be published by the New Zealand newspaper Otago Daily Times, where it ran from 1952 to 1979.

The central characters were a young boy called Rufus and his magical animal friend, Flook. According to the strip ‘The Coming of Flook’, which forms part of the cartoon book Rufus and Flook v. Moses Maggot, we learn that Flook, who vaguely resembled a furry pig walking on his hind legs, was a creature from the age of the dinosaurs whom Rufus, in a dream, rescued from cavemen and who then came back to waking reality with him. Flook was able to talk (in six languages) and was blessed with a fine sense of irony with which to temper Rufus’ innocence and enthusiasm. He was also able to change shape into all manner of objects, though not much was made of this power after the first couple of years of the strip. They inhabited a satirical and socially-perceptive fantasy world not unrelated to contemporary Great Britain, populated by larger-than-life characters, mostly bearing a striking resemblance to leading politicians and celebrities.[1] Many of their adventures starred their principal adversaries, the villainous Moses Maggot and his sidekick the gaolbird Bodger, whose sister – the overweight teenage witch Lucretia Bodger (a play on Lucretia Borgia), with her cat, Gobstopper – also appeared quite frequently, as did a mad retired colonel.

Storylines were written by the singer and writer George Melly, the comedian Barry Took, the musician Humphrey Lyttelton and the film critic Barry Norman. In 1953 some were written by Compton Mackenzie.[2] Several book-length episodes and compilations were separately published, and the Daily Mail also marketed a Flook toy.

The ironic and bohemian ethos of the strip was notably at variance with the conservatism of the Daily Mail,[1] which finally discontinued it after some 10,000 episodes, reportedly because the editor David English objected to its repeated jabs at the then Prime Minister, Margaret Thatcher[3] (though she is said to have enjoyed it), and the strip’s covert criticism of the Mail’s championing of the cause of Zola Budd.[2] After it was dropped by the Mail, Flook ran in the Left-leaning Daily Mirror and Sunday Mirror in 1984–85, scripted by Keith Waterhouse (shortly before he moved to the Mail).

Flook was adopted as a mascot by 831 Squadron, Fleet Air Arm, and the character was painted on the squadron aircraft.

Flook – Alice Through The Two-Way Mirror
Flook – And the Peasants Revolt
Flook – Food Is A Four-Letter Word
Flook – For A Neighbou
Flook – London 2063 AD
Flook – Roman in the Gloamin’

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Flook – The Clip on Bow-Tie Affair
Flook – The Great Battersea Safari
Flook – The Shrinko Racket
Flook – There’ll Be Bluebirds Over
Flook – Untitled

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Luann

 

Luann is a syndicated newspaper comic strip launched by North America Syndicate on March 17, 1985. Luann is written and drawn by Greg Evans, who won the 2003 Reuben Award as Cartoonist of the Year. The strip is currently syndicated by Universal Uclick. In 2012 Greg Evans’ daughter Karen began co-authoring the strip.

The strip takes place in an unnamed suburban setting and is mostly about young adult Luann DeGroot, dealing with school, her love interests, family and friends. Some storylines center on other characters, including her older brother Brad. The strip is particularly notable in that the characters age over time.

Luann 1985
Luann 1986
Luann 1987
Luann 1988

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Luann 1989
Luann 1990
Luann 1991

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Luann 1992
Luann 1993
Luann 1994

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Luann 1995
Luann 1996
Luann 1997

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Howard the Duck

 

Howard the Duck appeared as a newspaper comic strip for sixteen months from June 1977 through October 1978, consisting of eleven story arcs told through 511 individual strips. Authorized by Marvel Comics and syndicated throughout North America by the Register and Tribune Syndicate, the strip appeared in newspapers daily (i.e. Monday to Saturday) in black-and-white and Sundays in color

Howard the Duck is a fictional character appearing in American comic books published by Marvel Comics. The character was created by writer Steve Gerber and artist Val Mayerik. Howard the Duck first appeared in Adventure into Fear #19 (cover-dated Dec. 1973) and several subsequent series have chronicled the misadventures of the ill-tempered, anthropomorphic “funny animal” trapped on a human-dominated Earth.

Howard’s adventures are generally social satires, while a few are parodies of genre fiction with a metafictional awareness of the medium. The book is existentialist, and its main joke, according to Gerber, is that there is no joke: “that life’s most serious moments and most incredibly dumb moments are often distinguishable only by a momentary point of view.” This is diametrically opposed to screenwriter Gloria Katz, who, in adapting the comic to the screen, declared, “It’s a film about a duck from outer space… It’s not supposed to be an existential experience”.

Howard the Duck was portrayed by Ed Gale and voiced by Chip Zien in the 1986 Howard the Duck film adaptation, and was later voiced by Seth Green in the films Guardians of the Galaxy and Guardians of the Galaxy Vol. 2, both set in the Marvel Cinematic Universe.

Howard the Duck 01
Howard the Duck 02
Howard the Duck 03
Howard the Duck 04
Howard the Duck 05
Howard the Duck 06
Howard the Duck 07
Howard the Duck 08
Howard the Duck 09
Howard the Duck 10
Howard the Duck 11

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Ace Comics

Ace Comics was a comic book series published by David McKay Publications between 1937 and 1949 — starting just before the Golden Age of Comic Books. The title reprinted syndicated newspaper strips owned by King Features Syndicate, following the successful formula of a mix of adventure and humor strips introduced by McKay in their King Comics title in April 1936; some of the strips transferred from King Comics from issue #1. Ace Comics #11, the first appearance of The Phantom, is regarded by many to be a key issue in the history of comics, as it introduced to the comics format one of the first of the costumed heroes, leading to the Golden Age of superheroes in comics.

Ace Comics 018
Ace Comics 029
Ace Comics 047

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Ace Comics 052
Ace Comics 062
Ace Comics 064

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Ace Comics 068
Ace Comics 072
Ace Comics 094

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Ace Comics 102
Ace Comics 115
Ace Comics 117
Ace Comics 130

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Paul Temple

Paul Temple is a fictional character, created by English writer Francis Durbridge (1912–1998). Temple is a professional author of crime fiction and an amateur private detective. Together with his journalist wife Louise, affectionately known as Steve after her pen name “Steve Trent”, he solves whodunnit crimes through subtle, humorously articulated deduction. Always the gentleman, the strongest oath he ever utters is “by Timothy”.

Created for the BBC radio serial Send for Paul Temple in 1938, the Temples have featured in over 30 BBC radio dramas, twelve serials for German radio, four British feature films, a dozen novels, and a BBC television series. A Paul Temple comic strip ran in the London Evening News from the mid-1950s to the early 1960s.

Paul Temple was a professional novelist. While he possessed no formal training as a detective, his background in constructing crime plots for his novels enabled him to apply deductive reasoning to solve cases whose solution had eluded Scotland Yard.

Over the course of each case, Temple eschewed formal interviews or other police techniques, in favour of casual conversations with suspects and witnesses. Yet even this informal style of investigation invariably precipitated attempts by the suspects to hamper him, through traps, ambushes, even assassination attempts. Surviving these, Temple would arrange a cocktail party or similar social event at which he unmasked the perpetrator.

At the end of each tale, Paul, Steve and Sir Graham Forbes held a post mortem. Here, Paul explained why certain events in the serial took place, which of these had been red herrings, and which had been genuine clues. Some elements of the plot had already been explained during the serial, while others were occasionally never fully explained, due to limitations of time.

The Paul Temple characters and formula were developed in a succession of BBC radio serials broadcast between 1938 and 1968, with several voice actors portraying the Temples. The longest running team, and the most popular with audiences, was Peter Coke (pronounced Cooke) and Marjorie Westbury, who starred together in every serial made between 1954 and 1968 — and Marjorie Westbury also co-starred as Steve Temple in every serial aired between 1945 and 1954.

The introductory and closing music for the majority of the long-running BBC radio series was Coronation Scot, composed by Vivian Ellis, although the earliest serials (those aired prior to December 1947) used an excerpt from Scheherazade by Nikolai Rimsky-Korsakov.

The very earliest serials aired only on regional services of the BBC, in the Midlands. As the serials gained in popularity, they were aired nationally instead on the Home Service. But in 1945 they found a permanent home on the newly founded BBC Light Programme, where they remained (apart from occasional repeats on Home Service) until the final serial in 1968. Repeats of selected serials continued to be heard on Radio 4 (the new name for the Home Service) during the 1980s and as late as 1992 (when The Spencer Affair was repeated to celebrate Francis Durbridge’s 80th birthday).

Many of the early serials, in which the eponymous hero was played by a wide variety of different actors, have not survived the passage of time (although some still exist). However, almost all of those starring Peter Coke still exist; and these have been periodically repeated, from 2003 onwards, by digital radio station BBC Radio 7 (now called BBC Radio 4 Extra). In 2006 the station tracked down the then 93-year-old Coke for a half-hour interview programme, Peter Coke and the Paul Temple Affair.

Because no recordings survive for many of the early serials, in 2006 BBC Radio 4 began recreating them, in as authentic a manner as possible: as mono productions, employing vintage microphones and sound effects, and using the original scripts. In all cases Crawford Logan starred as Paul Temple with Gerda Stevenson as Steve, in place of the original leads. The first of these broadcasts, in August 2006, was a new 8-part production of Paul Temple and the Sullivan Mystery, originally aired in 1947. A new production of The Madison Mystery, from 1949, aired between May and July 2008, followed by the 1947 serial Paul Temple and Steve in June and July 2010. A Case for Paul Temple, from 1946, was transmitted in August and September 2011. The final such production to date was Paul Temple and the Gregory Affair, aired in 2013 (the longest of all the serials, running to ten episodes). Many of these new productions featured Welsh character actor Gareth Thomas as the head of Scotland Yard. Each of the new recordings was also released on CD.

Paul Temple’s catchphrase, “by Timothy”, first occurred in episode two of the first ever serial, Send for Paul Temple. As spoken by Kim Peacock in the 1940s serials, it made Temple sound like Wilfrid Hyde-White (it was a phrase Hyde-White frequently used, particularly in the BBC radio series The Men from the Ministry). Interviewed in 2006, Peter Coke said he hated the phrase, because even in the 1950s he thought it sounded old-fashioned.

In 1998, on the death of author Francis Durbridge, the BBC made a radio documentary about Paul Temple written by noted authority Professor Jeffrey Richards, entitled Send For Paul Temple (aired on 20 May 1998), which included extracts from surviving recordings held in the BBC sound archives going right back to the first ever serial in 1938.

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UPDATE 14-02-2019

Paul Temple – The Brain Twisters
Paul Temple – The Erasers

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UPDATE 22-04-2018

1 story – Gromgate Killer

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9 stories

Affair of the Tired Tiger
Au Pair Affair
Death sitting down
Great Jewel Robbery
In order to view
Light Fingers
Project Deep Plunge
Runaway Knight
The Khanwada Conspiracy

Thanks to Paw Broon

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Romeo Brown

 

Romeo Brown was a likeable but somewhat bumbling private detective who far preferred socialising with his lady friends (like Miss Peach of Fingles Theatrical Agency and Fan, owner of the Matchwell Marriage Bureau) to working.

Originally created by Alfred Mazure, from 1957 Jim Holdaway took over the art, with Peter O’Donnell writing. When Romeo’s adventures ceased in 1962, O’Donnell and Holdaway created Modesty Blaise.

5 stories

The Admirals Grand-daughter
Romeo the Ruthless
The Arabian Knight
The Frolics of Fifi
The Girl and the Ghoul

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Fosdyke Saga

 

 

The Fosdyke Saga was a British comic strip by cartoonist Bill Tidy, published in the Daily Mirror newspaper from March 1971 – February 1985. Described as “a classic tale of struggle, power, personalities and tripe”, the strip was a parody of John Galsworthy’s classic novel series The Forsyte Saga. However, the slightly bizarre and strange antics of the characters and those around them had a Lancashire/Cheshire lean with mangles, chimneys and soot ever present.

The Fosdyke Saga was the story of Roger Ditchley, a wastrel son of tripe magnate, Old Ben Ditchley, who was deliberately disinherited by his father in favour of Jos Fosdyke. Roger, blinded by rage, seeks to regain his rightful inheritance over the next twelve years. His wicked plans are always thwarted as he enlists the most inept allies and twisted methods to attain his goal.

Each book included bizarre settings such as the rugby game between a Welsh choir and a lady’s casual rugby team held in a Salford hotel (the stairs collapsed in the first half), the hunt for the Tripe Naughtee and the unforgettable “Brain of Salford” competition.

The series was axed from the Daily Mirror in 1985, the year after tycoon Robert Maxwell had purchased Mirror Group Newspapers.

Created by well-known cartoonist Bill Tidy, who also produced cartoons for the satirical magazine Private Eye and created The Cloggies, the wry humour in this classic 1970s comic strip was very popular, if often unintelligible to those outside of the mid-north-west of England.

Adaptations

The Fosdyke Saga has been adapted as a TV movie, a radio serial by the BBC and a stage play.

The radio adaptation starred (among others) Miriam Margolyes, Enn Reitel, Christian Rodska and David Threlfall.

1

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2

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3

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4

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9

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14

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1977

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Beau Peep

 

One of the most refreshingly funny comic strips of modern times, Beau Peep was the creation of writer Roger Kettle and artist Andrew Christine. Beau, a distinctly comical figure (real name Bert), joined the Foreign Legion to escape his brutish wife, Doris, but proved to be an incompetent soldier and a liability to his colleagues. The strip became instantly popular amongst the Star’s readers and 20 softback Beau Peep anthologies collecting the strips were published between 1980 and 1998.

1-4

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5-8

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9-11

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Axa

 

Axa was born in 2080, supposedly 100 years after a nuclear holocaust known as The Great contamination, in the City of Domes, where emotional attachments were forbidden. A wild spirit, she fled the city (and her lover, Jon) for a new life as a traveler and adventurer in the devastated world outside, exploring the ruins left behind by the ‘Old People’ and the often bizarre cliques of survivors which had sprung up. The first such group she encountered were the Middle Men, after one of their number-Matt-saved her from a giant mutant spider. Axa had left the society of the Dome because there, love was forbidden and sex purely for recreation; the puritanical society of the Middlemen though, had banned any form of pleasure at all, and she was forced to flee again in order to avoid being forced to become a ‘Breeder’. Escaping both the Middlemen and their foes, the Mutants (whose plans for her weren’t much different), Axa returned briefly and unwillingly to the City, but was informed that her adventures thus far had
been a test set by the mysterious Director, to see if she was capable of carrying out a vital mission in the world outside. Axa had passed, and was armed with a sword and sent out to meet her destiny.

Axa’s adventures (which are best described as ‘Erotic Sci-Fi’, Axa seldom managing to get through more than three panels without losing some or all of her clothing) were originally recounted in the pages of British newspaper The Sun between 1978 and 1985. The strip was discontinued mid story, halfway through The Betrayed in which Robot Mark turns on Axa, but she later returned in an ‘Axa Color Album’ published by US publishers Ken Pierce Inc, which was far more explicit than the newspaper strip, showing Axa in full frontal nudity several times. In this album, Axa has a number of adventures which seem reminiscent of compressed versions of those in the daily strip, so it is uncertain if they share the same continuity (certainly, Axa has no supporting cast in the album). Similarly, ‘The Island of Noah’ and ‘The Lethal Hive’ (2000AD Showcase #4 & #5, Quality Communications, 1992) also feature a solo Axa (and, in the latter case, read like a retelling of the story in the Sea Dome from the daily strip) but she is
accompanied by Matt and Robot Mark in the somewhat toned down and sanitized two issue ‘Axa’ series published by US publishers Eclipse Comics in 1987 (still penciled by Romero but written by Chuck Dixon). These later adventures may or may not be a part of Axa’s official history.

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4-6

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7-9

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